Sure, you see the hero grow from a child to an adult, but the childhood lasts about five minutes and adolescence no longer than ten. The rest of the game simply sees you controlling your average adult warrior. There are also elements like marriage and family drama that come into play that never realize their full potential. Instead of being an experience where you truly assume the role of another being, it’s built like an average RPG with some nifty life-building elements thrown in. Still, it’s a criticism of the game as old as time itself (or at least the Xbox 360) and the important thing is that the game is still enthralling all the way through.
I'm not much of a creator, but I've had a ton of fun seeing what everyone's made in Super Mario Maker 2. Whether I'm rating levels for StephenPlays' Morning Mario, getting random grab bags of levels in multiplayer or endless mode, or just browsing for myself, I am always surprised by the masterpieces and monstrosities that people can come up with if you give them the right to
There’s something odd about an HD port built for a console which itself has games that are being ported to a superior console. Let’s reflect on Fable Anniversary for a second: it’s a 2014 Xbox 360 remake of an Xbox game from 2004. We’re in an age where people are demanding for spectacular looking games like Grand Theft Auto V and The Last of Us to be ported to Xbox One and PS4, and this is an Xbox 360 port of an original Xbox game. As such, judging it is fairly hard to do after spending countless hours over the past few months scrutinizing next-gen ports like Tomb Raider, Madden 25 and Call of Duty: Ghosts, when Fable Anniversary would be a resounding success if it matched the 360 quality of any of them. Still, while a remake of Fable might have been better suited for release before Fable II or as a three-pack with its sequels on Xbox One before Fable IV (please?), the sheer fact that Lionhead and Microsoft care to do it at all is great fan service for players who have had to deal with an antiquated game — classic as it may be.
While the titular Blood Dragons that populated the environments of this Far Cry 3 expansion(?) were seriously lethal, they were no match for the robotic version players were allowed to pilot into the game's cli
For that matter, The Journey's voice acting and score are both top notch, as is the on-screen performance of Gabriel during cutscenes, his subtly exaggerated features easily communicating a wide range of emotions and clearly reflecting his state of mind. He's a likable, distinct hero who frankly deserves a better game. Perhaps he'll get it when Xbox 720 and Kinect 2.0 - with its rumored ability to read lips and recognize emotions - roll around, but for now, there's just no need to take The Journ
Despite its handful of shortcomings, Final Fantasy 15 has been a resounding success for Square Enix. The game’s story, characters, and environment are all compelling and interesting, and do a great job pulling players into the fantastical wo
Just looking at the game on a strictly technical level makes it abundantly clear that This Web site is not the Fable fans will be expecting. Much of the interesting design that Lionhead has established has been made more palatable and also less visually appealing. In plainer terms, since that's what the game was shooting for, the project looks too "kiddy." But even that would have been understandable if the game had decent collision detection or didn't constantly suffer from frame-rate probl
Gears of War has always been known for emotionally impactful trailers, and the Tomorrow trailer for Gears of War 4 is no different. The trailer offers a look into the life of JD Fenix, who must take on the calling of his father 25 years after the events of Gears of War
Surprisingly enough, the simple driving segments of the game fare worse than the shooting gallery portions. It should be easy. Players have two virtual reigns, left and right. Pull on the left reign and let the right go slack to steer left, reverse that to steer right. Regardless, guiding Seren along Albion's roads is, at best, a haphazard endeavor. At worst, it's a never ending exercise in course and speed correction - and it makes up a major portion of The Journey's playt
Needless to say, spell casting becomes increasingly complex as more attack options are enabled. Fireballs must be primed by either shaking your right hand before attacking, or speaking the word "Fireball" out loud. Attacking with Shards, meanwhile, requires that the player holds his or her right hand over and behind their right shoulder, as if throwing a spear, or by saying "Magical Shard." Generally, motions are recognized more quickly than speech. Each of these actions, on their own, are simple to perform reliably. The trouble is that in the heat of combat, players will need to perform multiple actions, often simultaneously, and Kinect gets confused by the commot
